Documentary Insider

Docs of Dissent…a belated recap…

April 26th, 2006

Back on April 7th (I know…I’m a lazy blogger) I went to the Academy’s Documentaries of Dissent, Part II. It’s nice that the Academy does so much to expose docs throughout the year, the Oscar’s Docs series, the Academy/UCLA Documentary Series and this, The John Huston Lecture on Documentary Filmmaking. The idea was to get a group of likeminded renegade filmmakers together and talk about “hot-button” issues. In walked Kirby Dick, Kathleen Glynn, Robert Greenwald, Jahane Noujaim and Morgan Spurlock to chat up moderator and LA Times film critic Kenneth Turan.

Turan started off with an intro, “digital equipment plus the times we live in – the worse it gets is this country the better it gets for docs of dissent.”

Kathleen Glynn has produced all of Michael Moore’s films. What’s it like working with him? “It’s exciting, there’s always surprises and there’s some control issues.” On the films, “when you see the truth, there’s the truth and want to share it.” Now she and Michael are working on their goodbye film to George W. Bush, they’re gathering footage for a film called Sicko about the American healthcare industry.

As Robert Greenwald took his seat on the stage, Turan slips, “How do you pick your targets? I’m so tempted to call them targets, I should say subjects.” Greenwald talked about his producing experience and how it helps him with story structure for his docs. On Wal-Mart: the High Cost of Low Price, “every good New York instinct for taking on bullies came out.” As far as the distribution, which has been oft talked about, he joked, “I love going two the movies. I love buying my popcorn and paying my $10 or $20 or whatever it costs by the time we get out of here tonight. But using MoveOn.org and the Center for Social Media Wal-Mart had over 8000 screenings.” His next subject is Tom Delay, he’s gone, but the culture of corruption is still in play.

Control Room director Jahane Noujaim calls being a filmmaker a little like being a glorified spy. When asked about her subjects, “If you’re unfunded you might as well be with people you want to hang out with.” She seems incredibly honest and real about her filmmaking process. They all do, that’s documentary.

As always at Academy events, the night ended with an extensive question and answer session. And we all went home a little drained.

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Morgan Spurlock talks to the press at the Academy Doc event.

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The panelists smile for the camera.

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Full Frame winners – no surprises…

April 25th, 2006

Yesterday Full Frame announced their awards for the 2006 edition of their documentary film festival. As far as North American doc fests go, there’s Full Frame, Hot Docs, Hot Springs, Silverdocs and a handful of others. So when I read the list of winners…I was disappointed. Not because the films aren’t good, there’s just nothing new. Or…what is new is overpowered by the films of Sundance and other award winners.

    FULL FRAME GRAND JURY AWARD
    Iraq in Fragments
    Directed by James Longley
    -Won 3 prizes at Sundance, plus a handful of prizes at other fests.

    FULL FRAME GRAND JURY AWARD SPECIAL MENTION
    A Lion in the House
    Directed by Steven Bognar and Julia Reichert.
    -Preemed at Sundance, has played a handful of other fests and will air on PBS this summer.

    FULL FRAME AUDIENCE AWARD
    The Trials of Darryl Hunt
    Directed by Ricki Stern and Annie Sundberg. An HBO Documentary Film.
    -Preemed at Sundance, has played a handful of other fests and will air on HBO.

    FULL FRAME JURY AWARD
    FOR BEST SHORT
    No Umbrella: Election Day in the City
    Directed by Laura Paglin.
    -Preemed at Sundance, has played a handful of other fests and has distribution through Ironweed.

    CENTER FOR DOCUMENTARY STUDIES
    FILMMAKER AWARD
    and
    FULL FRAME/EMERGING PICTURES AUDIENCE AWARD
    The Refugee All Stars
    Directed by Zach Niles and Banker White.
    -Preemed at AFI Fest and won an award, has played more than a handful of other fests.

    CHARLES E. GUGGENHEIM
    EMERGING ARTIST AWARD
    I for India
    Directed by Sandhya Suri.
    -Preemed at Sundance, has played a handful of other fests.

    FULL FRAME INSPIRATION AWARD
    My Country, My Country
    Directed by Laura Poitras. A POV/ITVS Film.
    Played at SXSW, has played a handful of other fests and will air on POV/PBS in October.

    FULL FRAME PRESIDENT’S AWARD
    The Intimacy of Strangers
    Directed by Eva Weber.
    Preemed at Edinburgh, has played a handful of other fests.

    FULL FRAME
    WOMEN IN LEADERSHIP AWARD
    Smiling in a War Zone
    Directed by Simone Aaberg Kaern and Magnus Bejmar.
    -Preemed at IDFA, has played a handful of fests and has distribution through filmstransit.

    FULL FRAME/WORKING FILMS AWARD
    Rain in a Dry Land
    Directed by Anne Makepeace. A POV/ITVS Film.
    -Has played plenty of fests.

    SEEDS OF WAR
    Sir! No Sir!
    Directed by David Zeiger.
    -Preemed at the LA Film Festival in 2005, played fests all year, nominated for Independent Spirit Award and currently playing theatrically through Balcony Releasing.

    Workingman’s Death
    Directed by Michael Glawogger.
    Preemed at 62. MOSTRA INTERNAZIONALE D’ARTE CINEMATOGRAFICA
    and then played Toronto and a handful of other fests, some theatrical, distribution through Paul Thiltges Distributions.

I’ll be the first to say that I’m thrilled when a documentary gets distribution, that more people get to see it and the profile of that doc and the genre itself is raised up. I guess I’d just like to get a little excited, to discover something new and not heave a sigh with everyone’s Sundance agreement.

Sundance Institute Appoints Mertes to Documentary Fund and Initiatives Post

April 25th, 2006

Brian Brooks reports in indieWIRE today:

    The Sundance Institute announced that Cara Mertes has been named its new director of the Sundance Institute Documentary Film Program. In her new position, Mertes will oversee all of the initiatives of the program, including the Sundance Documentary Fund, the annual Documentary Edit and Story Laboratory, the annual Documentary Composers Laboratory, the House of Docs programming at the Filmmaker Lodge at the Sundance Film Festival and ongoing year-round support for doc filmmakers. She will also curate documentary series with partner institutions, acting as liaison with other Sundance entities on doc initiatives and representing the Institute in the worldwide documentary community. Mertes, who is currently executive director of American Documentary, Inc. and executive producer of the PBS series P.O.V., will officially begin her work with Sundance this summer and will be involved with planning the Documentary Film Labs taking place at the Sundance Resort in Utah.

Blog suicide

April 18th, 2006

Reading my daily dose of indieWIRE something caaught my eye. Blog suicide. I clicked on it thinking it would be about:

    A) when you don’t write anything for over a week even after having attended a documentary event at the Academy

    B) when you spend all your time writing your blog and no time working

A is what I have been doing. B is not.

realscreen for free this month…

April 6th, 2006

realscreen is relaunching as an online magazine.

It’s a great resource and the first issue is a free download!

AFI Music Documentary Series starts tonight…

April 5th, 2006

AFI’s FIFTH ANNUAL MUSIC DOCUMENTARY SERIES presented by Audi

WEDNESDAYS AT 8:00 PM, APRIL 5 – MAY 11, ARCLIGHT HOLLYWOOD

Crooning, rapping, head-banging, jamming–the energy of a live set, the complexity of the creative process, the enigmatic essence of a rock god or goddess. Celebrate the power of music on six consecutive Wednesdays this spring–April 5-May 10, 2006. Showcasing documentaries that go back stage, on tour, behind the scenes and any other place that rocks, this popular series is back for its fifth season.

All six screenings will be held at 8 p.m. at ArcLight Hollywood, 6360 W. Sunset Blvd., Los Angeles, CA.

OPENING NIGHT APRIL 5, 2006
EVERYONE STARES: THE POLICE INSIDE OUT
USA 2005 75 MIN
Director: Stewart Copeland
Featuring: The Police

EVERYONE STARES: THE POLICE INSIDE OUT
is a rare first-person account of what it feels like to rise from obscurity to international superstardom, shot entirely in Super-8 by Stewart Copeland, the band’s drummer turned filmmaker. A priceless glimpse at the making of rock legends from the inside, Copeland’s candid narration takes the audience on the ultimate dream ride from the bottom all the way to the top.

Q&A after screening with Director Stewart Copeland, followed by a hosted reception at a nearby Hollywood hot spot.

APRIL 12 2006
METAL: A HEADBANGER’S JOURNEY
CANADA 2005 96 MIN
Director: Sam Dunn, Scot McFadyen, Jessica Joy Wise
Featuring: Tony Iommi, Bruce Dickinson, Rob Zombie, Alice Cooper, Dee Snider, Geddy Lee, Ronnie James Dio, Lemmy Kilmister, Vince Neil

Sam Dunn is a 30-year-old anthropologist and a lifelong metal fan. After years of studying diverse cultures, Sam turns his academic eye closer to home and embarks on an epic journey into the heart of heavy metal. His mission: to figure out why metal music is consistently stereotyped, dismissed and condemned.

Q&A after screening with directors Sam Dunn, Scot McFadyen and Jessica Joy Wise, followed by a hosted reception at a nearby Hollywood hot spot.

APRIL 19 2006
ZIGGY STARDUST AND THE SPIDERS FROM MARS
1973 USA 100 MIN
Director: D.A. Pennebaker
Starring: David Bowie, Mick Ronson

During the 1970s, British glam rocker David Bowie’s gender-bending style had a huge impact on popular culture. Pennabaker’s film captures David Bowie’s final electrifying, glamtastic performance as Ziggy Stardust in 1973 at London’s Hammersmith Odeon Theater, featuring numerous songs from Ziggy Stardust, Hunky Dory, Aladdin Sane and other Bowie albums, including Moonage Daydream, Changes, and Space Oddity.

A hosted reception will follow the screening at a nearby Hollywood hot spot.

APRIL 26, 2006
loudQUIETloud: A FILM ABOUT THE PIXIES
USA 2005 88 MIN
Director: Steve Cantor & Matt Galkin
Featuring: The Pixies

In the late 80s and early 90s, The Pixies cut an unparalleled path through modern music. Four and a half albums, a few tours, some breathtaking music and endless speculation about the relationship between the four founding members led many fans to scratch their heads at their abrupt and acrimonious disbanding in 1992. In 2004, to the amazement of their fans, The Pixies reunited.

Q&A after screening with directors Steve Cantor and Matt Galkin, followed by a hosted reception at a nearby Hollywood hot spot.

MAY 3, 2006
GEORGE MICHAEL – A DIFFERENT STORY
UK 2004 93 MIN
Director: Southan Morris
Featuring: George Michael, Elton John, Boy George

Much has been written and even more has been said about George Michael. Not much is known, however, about how he views the wild ride from suburban youth in Middlesex, England to icon of his generation. What makes this documentary special is that George Michael acts as a tour guide through his own complicated past.

The film captures Michael’s poignant performance at the Freddie Mercury Tribute Concert and the scandal that almost cost him his stardom.

A hosted reception will follow the screening at a nearby Hollywood hot spot.

CLOSING NIGHT: MAY 10, 2006
LEONARD COHEN I’M YOUR MAN
USA 2005 104 MIN
Director: Lian Lunson
Featuring: Nick Cave, Rufus Wainwright, Beth Orton, Bono, The Edge and Leonard Cohen

If you’ve ever been a Leonard Cohen fan, Lian Lunson’s movie will be irresistible. If you’ve never heard the 60s artist, you will be struck by something ineffable, sensual, and deeply truthful in Cohen’s music and person. Woven throughout the film are evocative performances of Cohen’s repertoire by illustrious admirers including Nick Cave, Rufus Wainwright, Beth Orton and the McGarrigle Sisters and a surprise musical finale.

Q&A after screening with director Lian Lunson, followed by a hosted reception at a nearby Hollywood hot spot.

BUY TICKETS

I Am a Sex Addict…

April 5th, 2006

That’s the title of Caveh Zahedi’s most recent biographical pic. I started reading Zahedi’s blog today. It’s really interesting. His discussions with Mark Cuban and open letters are both scary and eye opening. As independent filmmakers and DIY-ers his blog is an important peephole into film distribution and its constant changes today.

Full Frame too…

March 30th, 2006

Not to be completely boring – but here’s yet another festival slate. Check Full Frame in Durham, NC. It’s that time of year.

Fest runs April 6 – 9.

Hot Docs is up…

March 30th, 2006

Well, Hot Docs posted their online catalog today. The fest runs April 28 – May 7 in Toronto, Canada.

Non-profit knock out…

March 28th, 2006

Brian Newman has an excellent article today in indieWIRE about non-profit media arts support organizations.

His blog here.